
John Patrick Shanley's Doubt (2008) -- based on his own 2004 play of the same name (and published as Doubt: A Parable) -- shows an intelligence and curiosity that, judging from recent and upcoming movies, is becoming a trend. Coming at the end of eight years of little intelligence and even less curiosity among America's leadership, this is something to savor and enjoy.
I was a little worried about the star power of Meryl Streep and Philip Seymour Hoffman, but they're as excellent as ever and fit their roles nicely (as Sister Aloysius and Father Flynn); strong additional acting by Amy Adams, Viola Davis and other supporting actors gives Doubt additional dimension and weight.
Set in 1964, Doubt presents us with the milieu of tradition vs. the winds of change via Vatican II even while getting at all sorts of interesting themes -- most especially, the idea of doubt. What is proper, what is truth, what is faith, what is the best way to deal with other people?
I love the occasional use of Dutch angles (think Batman or The Cabinet of Dr. Caligari) and other touches like swirling leaves, unruly wind and popping light bulbs. Strangely, I don't remember a soundtrack, something I usually take note of front and center. On the other hand, there are memorable riffs on "Frosty the Snowman," ball point pens, the nature of "authority" and the power to influence people from afar and up close and, with great visual effectiveness, on some of the differences between priests and nuns at work and at rest. This is a very smart movie. You don't have to be Catholic or in any way religious or even cognizant of priesthood scandals to get something good out of Doubt.
Today's Rune: The Mystery Rune.













