Bettie Page (4/22/1923-12/11/2008), RIP. Here's a pertinent selection from this blog originally posted on May 21, 2006:
Mary Harron recreates the pinup milieu and its attendant fallout in The Notorious Bettie Page (2005), an HBO movie shot mostly in black and white with occasional splashes of color. Harron, who directed the searingly good take on gender issues via Valerie Solanas in I Shot Andy Warhol, takes a subtler approach with Bettie Page, though it's clear that the jump from the pinup 50s to Warhol's 60s is not a large one after all. The little romps made by camera clubs and "collectors" of Page and other models/actors are close forerunners to Warhol productions like Chelsea Girls (1966), and many of the themes blur together.
Bettie Page is "notorious" only in the lustful eyes of her male "consumers." Behind her happy-go-lucky persona, Page is smart, tenacious, and free-spirited, yet haunted by God. Nudity does not phase her, and she refers to the openness of Adam and Eve before the Fall more than once. She was abused by her father and by men singly and in groups before leaving Nashville and ending up in New York City. In the movie, there is something sinister about many of her "dates," and she is often either punished, exploited or judged for her beauty. The creepiness of many of the male characters reminds me of Silence of the Lambs. Harron's American Psycho (2000) covers this territory in a similarly extreme way. But Page's trajectory is successful and the choice to leave modeling in 1957 is hers. She is still alive, was sought after (like Ava Gardner) by Howard Hughes (she declined) and is still admired by Hugh Hefner, who featured her in Playboy in January 1955. The interactions between Bettie Page and photographer Bunny Yeager in sunny Florida provide good contrast with the rest of the story.
Mary Harron's work is always interesting. Overall, The Notorious Bettie Page is a leisurely-paced meditation on gender, sexuality, celebrity, persona, photography, modeling, acting, fantasy, and spirituality. Gretchen Mol is perfect in the lead role. Much of the cast will be familiar to HBO viewers: three minor roles for Sopranos fans; Chris Bauer from The Wire and Lili Taylor from Six Feet Under (she plays Valerie Solanas in I Shot Andy Warhol, as well). Harron has directed episodes of Six Feet Under and Big Love, so she's very much in the mix. As we all know by now, everything's connected to everything else upon closer examination.
Here's the official movie site, a fun one that is best viewed with a high speed connection:
http://www.thenotoriousbettiepage.com/
It's worth repeating: Gretchen Mol is great as Bettie Page. Also: Harron was executive producer for the excellent 2002 documentary The Weather Underground.
Here's a live link to "Rapture Riders:"
http://music.yahoo.com/ar-269864-videos--Blondie
Today's Rune: Wholeness.
5 comments:
A nice remembrance--The Notorious Bettie Page was a pretty good movie, I thought. Moll did a fine job of capturing Bettie on film.
It says something about the timeless quality of Bettie Page that we're all mourning her now and speaking of her as she was 50 years ago, like she was cut down in her prime. This, even though she was 85.
I was never a huge fan of Bettie Page. Too wholesome for me.
An icon passes. Forry Ackerman is gone too. We'll laugh again, but we'll never be young again.
Yeah, and 85 and 92 (same age as Van Johnson) are starting to seem like younger and younger ages, too.
Thanks all for the comments!
Eric, I have always admired Bettie for her unapologetic, unabashed sexuality. Heard she got bilked out of royalties on pic, posters and the like. So horrible. RIP Bettie.
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