With Prénom Carmen / First Name: Carmen (1983), Jean-Luc Godard strikes again with another memorable, offbeat flick. This one is colorfully shot by master cinematographer Raoul Coutard (with Jean-Bernard Menoud); it's broadly based on Georges Bizet's four-part opera Carmen (1975), adapted by Anne-Marie Miéville.
There's almost too much to be said about Prénom Carmen, so I'll keep it short. Screen time seems to develop along at least four converging or interlinking tracks: the uncle, Godard's eccentric doppelgänger (played by Godard); the ocean and its relentless wave action; a string quartet trying to optimize their interpretation of Ludwig van Beethoven in a grand hotel; and, centrally, Carmen X (Maruschka Detmers) in her various movements.
Throw in a bank robbery, a poorly planned "terrorist" kidnapping plot and brazen displays of nudity, and -- presto -- you've got yourself quite a heady mix.
Throw in a bank robbery, a poorly planned "terrorist" kidnapping plot and brazen displays of nudity, and -- presto -- you've got yourself quite a heady mix.
As with most of Godard's films, cherchez la femme -- look for the woman. Seek and ye shall find.
Today's Rune: Partnership.
2 comments:
Wow, lots of disparate elements in this one.
Erik-that woman is gorgeous!
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